[that's the rub, isn't it? he's unwilling to have any further involvement with something that may harm Tadashi, but here he is, ferrying him to safety. the mask is back on, the persona back- a silent, stoic figure whose face speaks of righteous anger and of power.
that face looks towards Tadashi, makes a short little 'hnh' noise, and then looks back forwards, otherwise silent for now.
it...really is incredible, isn't it. this sort of feeling of freedom and motion almost makes up for everything else. this would be the part in the movie where you get to see it from his/their perspective, and while he's not showing off by any means, it's either this or just walk, and that's not nearly as quick. there's also the fact that he's had to use less and less actual thought to control these, depending on the circumstances; often, they move even before he's realized, which is both a blessing and a curse.
it's a good thing that he's (relatively) calm, with no ill will towards Tadashi. agitation with these things so keyed in to him is not pleasant.]
no subject
that face looks towards Tadashi, makes a short little 'hnh' noise, and then looks back forwards, otherwise silent for now.
it...really is incredible, isn't it. this sort of feeling of freedom and motion almost makes up for everything else.
this would be the part in the movie where you get to see it from his/their perspective, and while he's not showing off by any means, it's either this or just walk, and that's not nearly as quick. there's also the fact that he's had to use less and less actual thought to control these, depending on the circumstances; often, they move even before he's realized, which is both a blessing and a curse.it's a good thing that he's (relatively) calm, with no ill will towards Tadashi. agitation with these things so keyed in to him is not pleasant.]